Work Ⅰ：“Series on Life 1: Spring Dawn” 

Size：37×23×10ccm

Introduction：The ceramist interprets the cycle of life as a fallen leaf. A human being’s life resembles the process of a leaf from sprouting to withering and finally turning into soil. At the end of its life, the leaf attains its ultimate glory. Life is a harmonious process, and the absence of anything affects the development and continuation of life. The final moment in the leaf’s life is also inspiring and soul-stirring. The multi-colored leaf performs a marvelous dance of life. The same is true for one’s own life!

Work Ⅱ：“Series on Life 2: Perception of Autumn” 

Size：23×23×48ccm

Introduction：Introduction: The ceramist interprets the cycle of life as a fallen leaf. A human being’s life resembles the process of a leaf from sprouting to withering and finally turning into soil. At the end of its life, the leaf attains its ultimate glory. Life is a harmonious process, and the absence of anything affects the development and continuation of life. The final moment in the leaf’s life is also inspiring and soul-stirring. The multi-colored leaf performs a marvelous dance of life. The same is true for one’s own life!

Work Ⅲ：“Kingfisher on the Lotus Leaf”

Size：34×22×35cm

Introduction：The kingfisher lotus leaf is a prevalent creation theme in the history of Chinese painting and calligraphy. Painters love the lotus remnant’s beauty, which appears only after the blooming of lotus leaves and lotus flowers. The kingfisher’s bright yellow color combines with the broken lotus leaf, creating a unique view of the monotonous lake pond in autumn and early winter, showing a great contrast of color.

The ceramicist strives to express his ceramic work as vividly as Chinese calligraphy art, to show the paintings’ aesthetic feeling in a more three-dimensional way. His composition and lotus leaf shape design are round in shape instead of square shape. Even though the color contrast is strong, it does not ignore the delicate caving, which has a sense of rhythm.